Hall

　　在接到一通神秘电话后，纪录片导演琳恩·佩奇回到德州的家乡，调查一段诡异的录像带——影像中记录着一连串没人记得发生过的怪事。然而，她的弟弟卢卡斯曾因一部在网上爆红的剧集而饱受争议，这段往事让琳恩开始怀疑：她能相信的，究竟还有谁？弟弟，还是这个小镇上的任何人？

　　未来的世界，科技的力量胜过一切，基因决定命运，几乎成为金科玉律。不幸文森特（伊桑•霍克 Ethan Hawke 饰）是一个基因不良的人，出生以来就决定了他近视和心脏病的缺陷，他只能活到30岁。于是父母为文森特增添了一个有着优良基因的弟弟。　　文森特的梦想是漫游太空，然而恶劣的基因令他无法圆梦，直到他遇到了太空中心的杰罗姆（裘德•洛 Jude Law 饰）。杰罗姆有优秀的基因，却在一次意外中半身瘫痪。二人决定调换身份，文森特千方百计隐藏自己的基因信息，每天都认真清洗掉自己的皮屑毛发，不暴露任何蛛丝马迹。另一方面，杰罗姆帮他筹备进入太空前需要检查的基因物品。事情进展得非常顺利，然而一桩谋杀案和一根睫毛，让事情节外生枝。

男青年威尔（马特•兰特尔 Matt Lanter 饰）从一场诸多电影情节和明星串联而成的噩梦中惊醒，发现这天正是他梦中显示的世界末日——2008年8月29日。威尔不能确定与女友艾米（凡妮莎•米尼洛 V...

　　菲利普三十岁，发现自己已经开始脱发。这位晚熟的音乐家，觉得脱发是一件非同小可的灾难。皮肤科医生告诉他，惟有他的父亲能告诉他，还剩下多长时间会秃顶：似乎每个家庭的男人，秃顶的年龄都一样。菲利普于是回到故乡，想知道父亲彻底秃顶的年龄——也就是他自己的。

　　Carla Hall, Niklas Ekstedt and Heston Blumenthal will judge as three cooks will battle it out to create the best feast.The set will be entirely edible and will contain edible blossom, chocolate soil, and a drinkable babbling brook.

　　Truth Iliza是一档美国的深夜脱口秀节目，由喜剧演员Iliza Shlesinger制作并担任主持。每一集Iliza都会邀请不同的嘉宾进行对谈、进行辛辣的新闻讽刺、表演单口以及出演小品，以令人捧腹的方式把时事政治和流行文化巧妙结合。　　本节目与她2014年至2016年主持的播客节目同名，于2017年5月2日首次在Freeform平台播出。

　　影片剧情围绕X战警中最受欢迎成员之一的琴·葛蕾展开，讲述她逐渐转化为黑凤凰的故事。在一次危及生命的太空营救行动中，琴被神秘的宇宙力量击中，成为最强大的变种人。此后琴·葛蕾不仅要设法掌控日益增长、极不稳定的力量，更要与自己内心的恶魔抗争，她的失控让整个X战警大家庭分崩离析，也让整个星球陷入毁灭的威胁之中。《X战警：黑凤凰》是迄今为止气氛最紧张、情感最丰富的一部《X战警》电影，是《X战警》系列20年来的集大成之作，大家非常熟悉和热爱的变种人大家庭即将面对最为强大的敌人——而她恰恰还是他们中的一员。

　　一對受過醫學訓練的兄弟，平日專門冒充醫護人員，開著救護車載走傷患，再迷昏他們活摘器官，把搶手的肝腎、心臟等賣往黑市，剩餘的屍體則肢解丟棄。某天，兩兄弟一如往常帶回一名女子，負責主刀的哥哥卻不知怎麼地忽然心軟，破天荒讓她在手術台上活了下來，但這個決定，也將為兩兄弟的深厚情感，帶來極大的考驗…

本片是关于老年合唱团"Young@Heart"的纪录片，"Young@Heart" 成立于1982年，成员多是年过半百的老人，其早期成员大多经历过战争创伤，二十多年来，这群老人从来没有停歇过，创作了大...

　　6月6日凌晨6点，美国外交官罗伯特•舍恩（Liev Schreiber 饰）刚出生的儿子不幸夭亡，在斯派尔多神父（Giovanni Lombardo Radice 饰）的建议之下，他收养了一个出生不久母亲便过世的婴儿，并为其取名戴明。　　戴明（Seamus Davey-Fitzpatrick 饰）在罗伯特的家中健康成长，从未生病。与之相对，各种怪事也不断在周围发生。罗伯特的妻子卡瑟琳（Julia Stiles 饰）再次怀孕，她发现戴明竟然对尚在腹中的婴儿心存恶意。在布莱南神父的指点下，罗伯特得知戴明竟然是恶魔之子，他必将不断壮大，为害人间……　　本片为1976年同名作品的翻拍版。

　　少女葛利叶（斯嘉丽•约翰逊 Scarlett Johansson 饰）家境贫寒，于是来到画家维梅尔（科林•费尔斯 Colin Firth 饰）家做女佣。维梅尔和妻子、岳母一起生活，她们常常摆出颐指气使的神情，妻子对正当青春的葛利叶更是戒心重重。在非常苛刻和压抑的氛围下，葛利叶在维梅尔家过得卑躬屈膝。　　维梅尔的画带给了她一点生活的乐趣。她收拾主人画室的时候，流露出了对艺术的天分。她跟维梅尔谈论对画的理解，二人的交心让彼此的情意慢慢滋长。葛利叶知道不可能与维梅尔修得正果，但她愿意做模特奉献给维梅尔作画。她默默地，忍受着维梅尔给她的耳朵打上洞，戴上他妻子的珍珠耳环，画出这一刻的窒息的美丽。

　　At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane (June Allyson) falls for football hero Tommy Marlowe (Peter Lawford). Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.

　　当年以演侠盗著称的动作巨星埃罗尔·弗林饰演绰号“海鹰”的英国海盗船长，在17世纪英国与西班牙作战时下令击沉了法国大使乘坐的军舰，并自行放走在舰上当奴工的一群英国俘虏，因而惹祸上身，但也因为他的正义和勇敢而赢得大使千金的爱情。

　　

　　

坊间流传着一个恐怖的传说，它和一盒神秘的录像带有关，传说中，凡是看过这盘录像带的人，会在七天之后死亡。理性至上的女记者凯勒（娜奥米·沃茨 Naomi Watts 饰）只将此当成是一个玩笑，可侄女凯蒂（...

　　影片讲述了一个电梯无故困人杀人的故事。纽约著名地标建筑----千年大厦的电梯突然失控，一名盲人和保安先后因此离奇毙命。这仅仅是突发事故吗？女记者詹妮弗对此展开调查，设法解开电梯神奇行为背后的秘密。然而，随着她调查的深入，因电梯而死亡的人数越来越多，调查也演变为一场意想不到的噩梦……

　　In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles' journey in the hope of unravelling one of the greatest mysteries in British art.

　　亨利（加里·格兰特 Cary Grant 饰）是一名英俊帅气的法国军官，在前线，他结识了前来应援的美国陆军妇女队军官凯瑟琳（安·谢里登 Ann Sheridan 饰），尽管两人之间的交流经常伴随着吵吵闹闹，但随着时间的推移，亦产生了真挚而奇妙的感情。　　战争结束后，亨利决定跟随凯瑟琳前往美国，结婚并开始幸福的生活，然而此时，一个难题却摆在了他们的面前，那就是亨利并不能取得美国的合法居留权。为了解决这个问题，亨利和凯瑟琳想了一个损招，那就是让亨利打扮成妇女队的军官，混进美国。让两人没有想到的是，这个看似完美的计划执行起来却遭到了诸多变故，他们能够获得最终的“胜利”吗？

　　距第一部美国派已有10年，三个没救的新处发现了藏在高中图书馆的“索爱天书”。不过不幸的是，书已经残缺不全了。靠着书中不完整的建议，三人踏上了滑稽的破处之旅。

　　斯科特·阿金斯在《终极斗士3》《近距离》之后再一次与导演艾萨克·弗罗伦汀合作新电影。阿金斯此次在片中饰演一位前特战队队员，他的孩子在某一天遭到了不明人员的绑架，并且关在了沙漠中的密室里。主角若是想要让他的孩子活命，就必须完成绑架者交代给他的三个危险任务，并且他只有五个半小时来完成，否则自己的孩子就要因为缺氧而断送生命。而他的任务要求他去剿灭三个极度危险的犯罪团伙，这让他的救援之路难上加难。

　　

　　Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

　　美国爆发xb疫情,科学家束手无策,历史上曾有人治愈过该病,无奈资料被毁,科学家们只得使用时间机器回到过去寻找,不料却遇到了1871芝加哥大火灾。。一部伤感的经典科幻片，正大剧场好像播出过

　　

　　《蓝色情人节》在分级上经历了一波三折，最终被定为R级。　　Dean(瑞恩·高斯林 Ryan Gosling 饰)和Cindy(米歇尔·威廉姆斯 Michelle Williams 饰)在朝夕相处了六个年头之后，他们的婚姻出现了问题。两人想借情人节之际修补彼此的关系， 特意将女儿留在外公家。他们还特意找了一家情人酒店，想找点新的“兴奋点”来刺激自己的爱情。可两人就对未来的生活态度发生了争执，感情不但没有修复反而愈吵愈烈。Dean安逸于有妻女的平淡生活，但Cindy却希望开创属于自己的事业。随着两人的分歧不断升温，那些以往美好婚姻生活中的幸福的片段如今却变成了令人难堪和苦恼的回忆。是否一段感情必须要经历“七年之痒”的磨练？这两个曾经相爱的彼此，曾经甜蜜的婚姻，否则最终会走向支离破碎？

　　In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.

　　

　　Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.　　Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne)　　Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve.　　Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam.　　One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her.　　As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy.　　Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades.　　The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered.　　Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks.　　In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.

　　这是一部著名歌手和演员 Jane Birkin （珍．宝金）的电影画像。我们发现各式各样的珍．宝金，在各种不同的季节，在各种不同的状况。还包括其它的珍：圣女贞德、泰山的珍、法国著名男歌手 Gainsbourg ，也就是珍．宝金的丈夫的珍……